The work of Antolín Sánchez, recipient of a National Photography Prize, occurs in the passage from pixel –what has been seen and registered– to the photograph as a closed universe; from the complete message construed by the contiguity of related images to the graphic history in comic strip tradition. Antolín builds unsettling progressions showing a connection between fragment and totality, between current and archetypical, between reality and dream. The work of Sánchez is highly aesthetic, critical and dazed.